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Note 76: To My Animal-Eating Sangha, with Love

Emaho!

My understanding is superficial.
Conceptually, I know that all things
And beings are empty and without self,
That samsara and nirvana are of one taste,
That apparent suffering is actual bliss —
I’ve even experienced suchness.

Yet…
Because of my obscurations,
When I’m threatened with death, I fear;
When hungry, I hope for food;
When thirsty, I want to drink;
When someone strikes me, I get angry;
Violence toward me makes me despondent;
The chance of losing an arm or an eye scares me;
When left standing hungry in the heat I complain;
Being packed in shoulder to shoulder infuriates me;
Even the threat of being shot makes me nervous;
I will fight you if you try to cut my throat;
When I’m hit on the head with a hammer, I cry.

O, how I aspire to be like you,
To have realized emptiness
With such intensity and depth
That to give a finger to a starving badger
on any day without warning would please me,
To be brutally slaughtered for a fat rich man’s exotic meal
Would only make me happy to have given pleasure,
To be eaten alive by ants only bring me
a more profound realization of emptiness.

Oh, you Buddhist, so far along the path
That you’ve realized
Your own inseparability from emptiness,
That your own pain is without essence,
That your own suffering is an illusion,
That your imputed self is a mirage,
You, who realize this so deeply
That you even experience
This emptiness in the minds of other beings,
The bliss that they think is their pain,
So that you can see them killed and eat them
Without the slightest perturbation of regret.

Oh, how deeply I aspire to be 
As enlightened as you are,
To have stepped past the 10th Bhumi,
To experience continuously
The equality of samsara and nirvana.

(Such are my thoughts when told by Buddhist friends that it’s ok to eat animals because everything is empty. Please don’t take offense at my play.)

Note 72: 7 Things To Do

  1. Burn incense (I favor the Tibet Shi-Tro incense, but
    use whatever make you feel connected.) and
    sing the 7-line prayer in Tibetan
          

          
    Then recite Om Ah Hung Vajra Guru Padma Siddhi Hung
          

          
    Dedicate the merit of this activity to the enlightenment of all.
          
  2. Put Lee Morgan “Sidewinder” into the CD player of your old dirty car
          

         
    Listen to him play while you drive away.
          
  3. Turn off the highway, also known as “Main Street”
    onto a continuously narrowing paved road
    until you reach a graded gravel road
    and follow that
    until you reach a dirt track
          
    pict0031
          
    I thought a trail began here
    but it’s still just the road
    continuing along it’s way.
    Once you’ve decided
    to park and walk
    you see a rock slide
    that’s been shored up
    with fragments
    on top of which sits a small boulder
    with just the right shape for your ass
          
    pict0017
          
    to sit on
    on which I sit to write this,
    and when this stops
  4.       

  5. Listen —->[audio:http://dirk-johnson.com/wpblog/MediaUploads/WAVE0019.mp3]
  6.       

  7. After some time
    without external aim
    shift the attention
    slightly
    toward the eye
    and let it rest
    in the midspace forward
    into the open of the declivity
          
    pict0025
          
    and around and into
    the trees growing in patterns
    in portrait orientation and movement
          
  8. Shift
    • shapes into patterns of fern color white bark,
      redwood, dust, granite, laurel,
      madrone bark and sky
      overcast, shot with sprigs
    • fully smell the dirt and pollen
    • taste them mixed with spit
    • watch the mind momentarily
      become frightened at this utter
      loss of control
      then relax and go on
      it’s merry way thinking of other things

    Feel every cell in your body
    simultaneously.
          

  9. AH.

The History of A Poetry

I keep thinking that Buddhism is the history of a poetry.

While creating a catalog of the books currently in my possession (a project many years overdue), I came across a recent friend: Guru Rinpoche, by Ngawang Zangpo (Snow Lion Publications, 2002, Ithaca, NY) and remembered its Appendix 2: “Buddhism and Poetry,” which I stopped to re-read. Zangpo’s basic drift is that Buddhism and poetry are fundamentally intertwined. He gives many examples. He is better equipped than I to talk about the original texts. If the subject is of real interest to you, I suggest looking up his book.

But I’m going to take my own very brief and hurried stab at the subject, which has occupied my thoughts quite a lot over the years. Within that time frame, for the past 15 years, I’ve been a practitioner of several Tibetan Nyingma Tantric sadhanas. The primary literary feature all of these sadhanas have in common is that they’re all poems written in formal verse along with melodies that are orally transmitted with the triple purpose of being philosophically complete, aesthetically satisfying, and easy to memorize.

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