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Monthly Archives: September 2010

Note 142: At This Crossing

  

At this crossing a red sphere allows you to go west

Strung high up so you can see from a distance

Two if you were going east you were clear

Three to the north and four to the south

Not four signals, three lights each, or four —

Every little back road crossing has some sort

Of sign, usually red STOP.

But if you’re highballing fourteen thousand

Tons of coal you don’t want to stop

Or slow down If you don’t have to

And you give no quarter.

  

75, long haul, mid-afternoon, light traffic

You

Jerk

Right in front of me!

No signal

⇔ Forcing my brakes ⇔

At 60 the same rate as the car

You’re putatively passing

Lumbering acceleration

Then sit in the left

Lane when you clear it

And speed up

To 80

To block me

From passing.

  

No rules?

No quarter.

With sufficient nerve

Maybe you could

Keep me behind you.

But no.

See my middle finger

As I shoot by ?

Close,

Almost cut you

Off — I could

If I wanted —

Drop back down

To 75

As you fade

In my rear view mirror.

  

What does this game bring you?

I’d bet most just let you win.

Excitement? Feelings of power?

Sadistic pleasure?

Why does this farce

So petty

So insignificant

Make me want to kill you?

And why don’t I

Just let you win?

  

  

Note 141: Reading “The Women at Point Sur”

  

The harvest moon no longer equinoctial floods deep water sky

while an announcer on PA not far but the other side of town

talks bulls and riders.

Earlier today I climbed into a locomotive and caboose with a woman

and her four year old son telling them

About steam across the street from the rodeo. The boy loved the

metalic wonderland, the woman wanted history

To teach him later, and we corrected one error.

  

From this to step deep into Jeffers

Feels like Raskolnikov intersected with Shelley

Shot through with Nietzsche. But the thing is

You’re there, right there, in the middle of it, with your own rebellions

and conformities and lusts and fears

And shattered mind grasping at concepts for answers. Terror, Knowing them all

inadequate while grasping most at one – that you are different, that you lead them.

From that one construct you must speculate in order to preserve a theory of

yourself that you can

Defend to yourself, the monstrosities of action you must fulfill

To consolidate your sense of meself from the notself

Of what you perceive in everyonething else.

But this drunken kung fu turned against its own Christian

heritage splits Milton’s Satan into fragments

Recomposed into Blakean bombast that cascades

In thunder and lightening through rocks, mountains, and rivers into an ocean.

Predatory birds, horses, sex and perversion, adultery and frigidity,

murder and suicide played in full view

Of a lighthouse and forests of redwood and oak under a sky wild with black

clouds streaking over the mountains

Which hardly take notice much less censor and judge.

  

  

Note 140: Preliminary Notes from The Cantos

  

  

I. Μαω

  

The cat talks μαω

(mao) with a Greek inflection

Siamese scion of, all lines,

Generations, world champion

Show cats. Commanded me

To be his friend

On sight.

“Mao. Mao. Mao. Mao. Mao.

Mao. Mao,” mesmerizing me

With deep blue eyes, steady.

Then complete submission

When I took him in my arms.

Cat. The Cat. Mao.

Locked in concept, in structure

Another Confucian, in program

And profession, in action

Blasting Confucian culture

And the cultures of Buddha

and Tao.

  

II. The Purifications

  

The purifications

are snow, rain, oak, juniper

Redwood and river, an immense sky

Fore-lit with equinoctial full moon.

In love with Ezra,

dead 38 years.

A river in words, walked, heard,

A river walked along,

gravel edges,

shallows, splashing,

Eddies and rapids.

A crow caws and flies

A fawn fords upriver.

  

Yet binary.

Not simple. Not mere yes and no.

Linnaen root system

Aspens

Closer than family.

Yet binary, except

What the moment

Composes

To him

Without intervention.

  

III. Palimpsest

  

But the record

the palimpsest —

a little light

in great darkness —

Railroad trestles.

An old tramp read all your Binyons.

Beacons on the Pacific curvature;

Above, full — focused

Crystal, microscopic

Lens — moon casts

Boulders up each side

Out just past the surf

Where Sea Lions ride

This mild edge

Of universe

We walk on

Earth.

  

Note 139: Entertainment

  

The queen desires you to use some gentle
Entertainment to Laertes before you fall to play.

  

The basic tune is a long low pitch
Then a quick high stressed
Note and pedal of equal sound and
Silence pitched between
Intervals bracketed by triplets
While the drone goes in quarters
Tune and tone at slightly
Different tempos.

  

So much to hear.
Ever changing music
With sudden closing door
Or V8 two-ton starting
And its own pedal or
A mountain bike glides by
In the light a clouded moon
Casts past the edge of a streetlight,
And so forth, a voice, a laugh
Teenagers walking to a party —
Bountiful entertainment.

  

Yet the end looms ever closer.
My body slowly crumbles.
My mind moves more
Haltingly from point to point.
The memory of one or another
Place or interaction
Spreads in dream
Fragments of a nap.

  

Such an ending is expected
If one lives long enough.
But what of value have you done?
Nothing comes to mind.
Anyway, what might value be,
In my world of self
Judgment?

  

I Imagine
Heights occupied by others.
Would I feel my life
Successful had I written
Illiad or Cantos?
Likely not. The flaws
Would gall more than triumphs
Soothe.

  

And yet, most days
I move and speak as though
The past were all fulfilled,
The future never coming.