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Note 76: To My Animal-Eating Sangha, with Love

Emaho!

My understanding is superficial.
Conceptually, I know that all things
And beings are empty and without self,
That samsara and nirvana are of one taste,
That apparent suffering is actual bliss —
I’ve even experienced suchness.

Yet…
Because of my obscurations,
When I’m threatened with death, I fear;
When hungry, I hope for food;
When thirsty, I want to drink;
When someone strikes me, I get angry;
Violence toward me makes me despondent;
The chance of losing an arm or an eye scares me;
When left standing hungry in the heat I complain;
Being packed in shoulder to shoulder infuriates me;
Even the threat of being shot makes me nervous;
I will fight you if you try to cut my throat;
When I’m hit on the head with a hammer, I cry.

O, how I aspire to be like you,
To have realized emptiness
With such intensity and depth
That to give a finger to a starving badger
on any day without warning would please me,
To be brutally slaughtered for a fat rich man’s exotic meal
Would only make me happy to have given pleasure,
To be eaten alive by ants only bring me
a more profound realization of emptiness.

Oh, you Buddhist, so far along the path
That you’ve realized
Your own inseparability from emptiness,
That your own pain is without essence,
That your own suffering is an illusion,
That your imputed self is a mirage,
You, who realize this so deeply
That you even experience
This emptiness in the minds of other beings,
The bliss that they think is their pain,
So that you can see them killed and eat them
Without the slightest perturbation of regret.

Oh, how deeply I aspire to be 
As enlightened as you are,
To have stepped past the 10th Bhumi,
To experience continuously
The equality of samsara and nirvana.

(Such are my thoughts when told by Buddhist friends that it’s ok to eat animals because everything is empty. Please don’t take offense at my play.)

Note 70: Loathing (short story)

He couldn’t breathe. He brimmed and overflowed with self-loathing

(a sudden release from Jackson Lake dam, the lake itself a glacial remnant.

His groin was tight and knotted from the center down the thighs.

(a Santa Barbara Moreton Bay fig tree, planted in 1874 by a little girl, who got the seed from an Australian sailor

He knew there was no escape. He wanted to die.

He let the attention rest on a point, deeper in than the nose is.

(behind the Glabella,
above the point
where breath enters the skull
above the nasal cavity
behind the eyes
between them
above:
the third eye

When his breathing was blocked in the sinuses, resting his attention there would clear it. His breath would become calm and easy, his sinus passages would open.

(calm mind

It had been so long since he discovered how to do this he couldn’t remember ever not knowing how. When first learning to meditate it had been an obstacle. “Let your attention rest on the breath.”

His mind wasn’t calm. Didn’t become suddenly calm. He wanted to ask for help. There was nobody to ask. He was alone.

(a kind of dying
fear and desire united
toward one object: cessation.
how could he?
how could he allow himself?
how could he allow himself to attach?
how could he allow himself to cling
to what he knew was ephemeral
to what he knew could never love back?
he should have known better

He was completely overwhelmed with disgust for himself. It isn’t my purpose here to convey that feeling to you. You don’t need it. If you’ve never felt it, you won’t anyway. If it’s a feeling you know, you don’t need to be led into it to know how it feels: nothing in the future; the past merely validation of your worthlessness, stupidity, inadequacy. You know the drill.

(no escape

Could he change these feelings? Yes. Should he? No. He felt them. He allowed them to be. He thought, “if I just let them be, they will change.” Then he realized that they don’t need to change. He had forgotten. These feelings are just there. They are what they are. There is no point in changing them.

(the mind is a process

He allowed them to fill his consciousness. He looked directly into them. He felt them. He watched them.

(planning actions
I’ll do this
I’ll do that
I’ll change this
I’ll modify that

He let the reactions go. Didn’t stop them. Just let them go. Decided not to indulge any of them. Not to react to the feelings. To do nothing at all.

(very close to weeping
would weep
but tired of weeping
over these things

This mental state became just another mental state. The mental states continued to fluctuate. Now there is a different mental state. The other is nearly forgotten in the fascination for the now one.

(a cat curled up next to him
he stroked her fur
she purred.

Note 30: Mandala Offering

for Shantideva, André Breton, http://twitter.com/spgreenlaw, and http://twitter.com/cobwebsstir
(Draft Zero)

From the vast expanse of mind and space
where all appearances gather on a cosmic stage
I make a perfect offering.

Thrusting a steel cup through its ice cover
I offer you a drink of dense cold water
from a pristine spring.

I offer you cauliflower and potatoes,
curried chick peas and pastries.

I offer you armagnac, cognac, scotch,
and all varieties of wine all
directly from the cask.

I offer you a redwood grove
fecund beyond imagination
absorbing all acoustic change.

I offer you lichens, crusty, hairy,
squamous, leaf-like in coral snake
and wildflower colors.

I offer you Sierras seated firmly
with white tops in deep blue sky.

I offer you an orange poppy
growing from the concrete jumble
of an abandoned field.

I offer you thundering engines.

I offer you precision circuits,
foaming electrons
housed in sleek boxes.

I offer you an impulse leaping
from my blood, my vortex
of wanting and refusing.

I offer you a touch of fleece and silk
before a stoked and blazing furnace.

I offer you a yellow star
burning off the morning fog.

I offer you rivers, streams, and oceans;
headwaters of the Eel and Russian rivers.

I offer you disturbance and interruption,
anger and desire.

I offer you my body in full contact
brimming with perfections and imperfections.

I offer you everything I’ve lost.

I offer you a cool and gentle breeze
on a sultry day.

I offer you the toxic spill
in a stream by an apartment building.

I offer you refineries burning
off waste gas in a miasma of stench.

I offer you the hiss of wind in grass,
thunder, and heavy rain.

I offer you guitars, trumpets, bassoons,
tumbas and all the voices
ever heard.

I offer you this flaming globe
of wind-blown dust and water.

I offer you a solar system
in a galaxy at the edge
of a conscious mind.

I offer you the galaxy.

I offer you a poem.

[Awoke at 4:30 a.m. PST, Feb. 3, 2009, and wrote the above in a notebook while lying in bed. Considered not posting it because I want to work it significantly. But I've made it my practice to post rough, partly in order to overcome my aversion to others seeing my imperfections and partly to shut down my internal critic for a while until I feel strong enough to wrestle with him again. So, here it is.]

Note 4: Hymn to Tröma Nagmo

(1st Draft, 2:37 p.m. August 28, 2008) (Version 0)

Prologue

For as long as someone has pain
I go for solace and comfort to Tröma Nagmo,
Resplendent One of light and laughter,
Black from deep blue, her naked body
Dances on a corpse at her feet,
Your necklace of freshly lopped human heads –
Even with it flopping around on your breasts
You hold the staff steady, and we clearly see
The fleshless, the fresh, and the rotting
Human heads impaled on it.

Click to continue reading “Note 4: Hymn to Tröma Nagmo”

The History of A Poetry

I keep thinking that Buddhism is the history of a poetry.

While creating a catalog of the books currently in my possession (a project many years overdue), I came across a recent friend: Guru Rinpoche, by Ngawang Zangpo (Snow Lion Publications, 2002, Ithaca, NY) and remembered its Appendix 2: “Buddhism and Poetry,” which I stopped to re-read. Zangpo’s basic drift is that Buddhism and poetry are fundamentally intertwined. He gives many examples. He is better equipped than I to talk about the original texts. If the subject is of real interest to you, I suggest looking up his book.

But I’m going to take my own very brief and hurried stab at the subject, which has occupied my thoughts quite a lot over the years. Within that time frame, for the past 15 years, I’ve been a practitioner of several Tibetan Nyingma Tantric sadhanas. The primary literary feature all of these sadhanas have in common is that they’re all poems written in formal verse along with melodies that are orally transmitted with the triple purpose of being philosophically complete, aesthetically satisfying, and easy to memorize.

Click to continue reading “The History of A Poetry”

pali wanna cracker?

I’ve been remiss. Nothing I wanted to communicate. So here’s what’s up, anyway:

  

I generally like to be involved in learning something about language somewhere. Ancient Greek is wonderful, but at this point of my life it’s rather abstracted from what I do and where I am. German comes easily, and I could read Goethe and Nietzsche and Rilke and listen to Wagner and Mahler and Strauss and enjoy it, but that’s not really with me either. French? Don’t really care for it. Old French? Might be worth it for Villon and Rabelais, but that won’t hold me, either. Latin? Not really interested. Considered learning Italian. That would open up a lot of opportunities, and I would have means to practice. But…

  

The place of peace for me these days, aside from my sweltering back yard, is Abhayagiri monastery, in the hills about 7 miles northeast of Redwood Valley, which is itself merely a little settlement between Ukiah and Willits. Not that I’ve been there often. But even at home the peace of Abhayagiri beckons to me. I’ve been a Buddhist for many years now. I’m not a very good practitioner, but it is the place of my heart.

  

My first introduction to Buddhism was to the Nichirin sect. A doctor attending to me in a hospital 6 weeks after I went temple first into the metal retaining bar of a windshield at 85 mph (fracturing the head, blinding the eye, leaking spinal fluid, mid-saggital paralysis which mostly remains as it was 31 years ago) told me that there was nothing medicine cold do for me. He suggested that, after my release from hospital, we go together to a “meeting”. Since my tongue was (and is) paralyzed down the center, and since my speech center had taken a pretty hard knock, it was difficult for me to speak, but I assented.

  

You may know this sect as “nam myo ho renge kyo”. It was founded by the Japanese Tendai (Chinese Tien Tai) monk Nichiren in the14th century ce. Chanting Nam Myo Ho Renge Kyo” thousands of times and reading excerpts (in Japanese) from the Lotus Sutra twice a day restored my speech. The link in the previous sentence is to a translation of the Lotus Sutra (this link is to a different translation on a different website) on the Sokka Gakkai website. The Sokka Gakkai is the largest organization that follows Nichiren’s teachings. They are culturally traditional Japanese. I have nothing against the Japanese. The Japanese culture is deep and beautiful. Basho is one of my favorite poets. I love Japanese painting and food. But, alas, I’m not Japanese, and I didn’t feel comfortable in the Sokka Gakkai. I also think that most Japanese people would find them too literal and authoritarian.

  

But, in all of my life, there had never been anything that had helped me so much as this practice, which I couldn’t keep up on my own. Also, I wanted to learn more about Buddhism in general, and about “Western” philosophy in particular (excuse the weak attempt at humor).

  

Many years later (10 or 11), in Manhattan, after having done my yeoman’s work of reading Kant, Hume, Hegel, and Husserl to name but a few, 4 guys jumped me (a long story, I won’t go into any details – one could easily enough blame my own refusal to back down out of fear rather than their aggression). When I was down, one of them kicked me in the head and re-fractured my skull in the same place. It wasn’t nearly as bad as the previous time. I only spent a week in the hospital.

  

After a few weeks, I was still rather foggy, and prone to sudden fits of absolute torpor. One warm day, I was sitting in Union Square Park reading the Pound’s Cantos in an attempt to restore my concentration. A young woman walked up to me and said, “have you ever heard of Nam Myo Ho Renge Kyo?”. Indeed I had, and under similar circumstances. No-one during the intervening years had ever mentioned it to me without my bringing it up first.

  

So, I went with her and began practicing with the Sokka Gakkai again. And my concentration returned, or at least as much of it as I could hope to recover in a very short space of time. And the attacks of exhaustion disappeared. And I still wasn’t Japanese. Although I read Nichiren (against the advice of most of my contacts in the Sokka Gakkai, who wanted me to accept their interpretation on faith); and although some of the writings of Nichiren are to this day very dear to my heart, e.g. “The Buddha is a provisional Buddha” or “The real Buddha is the common man”, and resonate continuously with me, once again, I couldn’t persist in the training.

  

Then I got into computers. This was nearly all I did for a few years. Then I sold print advertising space. These were my practices, and I felt life to be pretty vacuous. I thrashed around a bit looking for a path to follow. To make a boring story brief, I decided that I would practice Buddhism. The problem was: which form of Buddhism? Nichiren was a monk of the Tendai who went out on his own. The Tendai came from the Tien Tai in China. I decided that I’d pursue Tien Tai.

  

I put out a fair amount of effort attempting to find out about the Tien Tai and/or to contact an organization of Tien Tai, but to no effect (this was some time before the www was available to me). But everywhere I turned, I ran into Tibetan Buddhism. I had some pretty narrow Ideas about Tibetan Buddhism. I wanted nothing to do with it. But, in the absence of Tien Tai (and knowing that Zen wasn’t my path either), I went ahead and read the ever-present book by Sogyal Rinpoche, The Tibetan Book of Living and Dying And what a revelation! I was no longer against Tibetan Buddhism. Through the kindness of the Rigpa organization, I was able to receive a Guru Rinpoche empowerment (a foundational empowerment of the Nyingma school) from the very great and wonderful master Nyoshul Khnepo Rinpoche.

  

But, alas, the Rigpa organization was not for me.

  

By good fortune, I was introduced to a man named Robert Newman, who has since founded Medigrace. Robert, whose kindness in this respect I can never repay, introduced me to Chagdud Tulku Rinpoche. Rinpoche gave me a one-to-one transmission in a small room in Robert’s apartment. Though he spoke in a patois of English and Tibetan, for some reason I understood every word he said, though ever since I’ve struggled to understand him when hearing him talk. He accepted me as his student. Unfortunately, he was about to leave for Brazil to found a center there. I only saw him very rarely after that. He was usually in Brazil, and I never managed to overcome my entanglements. Chagdud Rinpoche died in 2002.

  

But, after moving to San Fancisco (which was the consolation prize for not moving to the redwoods for which I’d left New York City), I was fortunate to find people to practice Buddhism with, mostly related with Chagdud Rinpoche’s organization Chagdud Gompa. Even more fortunate, while attending an empowerment being bestowed by His Holiness Pema Norbu (Penor) Rinpoche, I notice a monk strutting around like he owned the place (and Penor Rinpoche had given him the seat of honor). I walked up to him through the crowd and asked him who he was. He laughed and gave me his card. I called him. He called me back. This was Khenpo Gyurmed Rinpoche, a great scholar of the Nyingma Lineage and teacher to the Royal Family of Bhutan. To me, he was simply “Khenpo”. We argued a lot. We practiced together a lot. We laughed a lot.

  

I ineffectively (except for procuring a 501(c)(3) status for the group) helped him to get Osel Dorje Nyingpo off the ground, even keeping a center for him in a rented storefront in the Haight for a while. He began moving in places distant from San Francisco, and we drifted apart. He died on January 30th of this year, in India. A close friend (and fellow student) and I kept telling each other that we’d drive up together to see Khenpo soon.

  

Now it’s too late.

  

In this context, I find Abhayagiri. The monks are mostly American and Brittish. The lineage comes from Ajahn Chah, the Thai meditation master of the Forrest Tradition of Theravada. For the past few years, I’ve been spending more and more time reading the Sutas in the Pali Canon, the teachings of the historical Buddha Gotama, as preserved and presented by the Theravada school. I’m no scholar, but I’ve read and practiced quite a bit in the Vajrayana (Tibetan) tradition, without sectarian views. I’ve learned a great deal from Zen teachers as well as my Nyingma masters and masters from the Gelugpa, Kagyupa, and Shakyapa schools of Tibet. I’ve even been fortunate enough to rub shoulders with Tien Tai. What I’ve witnessed is the continuity of the Buddhist tradition from the Pali Canon through the “Mahayana” and into the Vajrayana. I am in complete awe of the vast diversity of this tradition that meanwhile retains the core of what is important.

  

It was the Mahayana Chinese Buddhist Venerable Master Hua who willed the large parcels of land for Abhayagiri.

  

I’ve begun studying Pali (on my own, with a grammar: Introduction to Pali, by A.K. Warder. This is the source and the root of the entire Buddhist tradition. I think it’s a good language for me to encounter. I began with the intention to write about Pali, which is an extremely interesting language in it’s own right. Forgive the digression.