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Note 129: As Though Those Who Once

Wer aber sind sie, sag mir, die Fahrenden…

~Rainer Maria Rilke

 

1.

 

Elaborated in speculative

Fury, pulses of fabricated light,

A little Arlecchino, mad for

Columbina, somersaults out of

Control through your synaptic conjunctions

To, Pantalone, though you crouch cat-

Like at her opening to clutch him,

Present imposture to gullibility.

 

Coemergent with the rise of the

Curtain the comedy expires. Or

So it seems to you. Ever grateful

For opacity of mind to prying

Eyes, nostalgia for what never was

Grapples with paucity of what is.

 

2.

 

As though those who once wanted you, whose

Every moment was filled with you from

Waking to sleep & even in dreams but

Now rarely think of you & never

Confide could transcend the nature desire

Was born with to fade & diminish &

Die so tonight you wouldn’t feel so

Alone in the imagining

Of what has displaced you, though it was

Never even you in the chamber

To begin with but only a shell

Of herself that she’d lost unawares.

 

Aside from wanting to keep them as

they were, though you knew they had to change,

Are you any different from them in

Your remembrance of what never was?

 

Wasn’t all of that wanting a burden,

Yours to them and theirs to you almost

As much as the outward grasping

Prophylaxis of want, when the hand

Open to grip became shield to ward

Off advance? Does it really matter

Who blocks and who grasps? The roles can be

Exchanged, but the curve of engagement

will always go flat.

 

                                  This is what comes

Of mixing concern for the other

With desire. Would you prefer in a

Future only pure lust without love

And love in that future undiminished

By wanting? But then wouldn’t naked

Attachment to pleasure and praise seem

Vulgar, even to you? What was the

Distillate you drank in the term “love” ?

What dropped shot glass, shattered, could mirror

Precisely the flaws you fear define

you, from which in a haze of another’s

Enchantment you sought refuge, junkie

And needle, free from unimpeded

Recognition of who you are?

Note 128b (narrative sketch): Expansion for “Do You Remember What You Wanted To Know?”

[This will insert before the final stanza as it currently sits at http://bit.ly/av7ibr]

 

[I've also decided to reverse many years of practice and capitalize the first letter of each line. The idea is to emphasize the line more.]

 

 

You believed in experience, didn’t you?

You believed that experience would refine you,

Augment you, exalt, enlighten, enrich, liberate

You from your pathetic self, the over-sensitive

Sensualist, naked-woman obsessed

Ignorant boy with a bad complexion

And no social history.

 

To know work only as a means

To an abstraction of what work would be

If you were to become the work,

If the work accomplished you as much as you

It. You began to break rank with your childhood

Coterminous with your first, unexpected orgasm

Fantasies of heroic action, Odysseus, many minded,

Concept of pure science, and the scientist

Part Odysseus, part Oppenheimer, part Homer part

Mickey Mantle and part Don Juan but not Don Juan

Just a fantasized sexual encounter with virtually every

Female he ever met, because he was the great protector,

The hero, the champion whom they all wanted.

He read manuals to learn how to control his mind

But preferred the one he read about where one could

Absorb all knowledge while sleeping by placing books

Under the pillow. And then there were social contexts

For which he had no road map and, besides,

He was too tall and his face covered in boils

Even though he had been an almost pretty boy

Who undressed many girls just to look at them

Now became nervous, self-conscious, aware of

Limitations he hadn’t imagined before. So you strove

To imagine a time when you would no longer have to

Be you, where you could become a digger of fields,

Harvester, irrigationist, tractor driver, grunt

In a restaurant in a kitchen through the splattered

Food as dishwasher and splattering food as the cook

Then, as a waiter, carrying it back and forth as you became

Fascinated with factories, you could work in a fast

Hot kitchen on a couple of hits of acid, and got around by

Hitchhiking or driving or bus only to discover that his skin

Cleared up, it was the treatments that were prolonging

The problem with his face, but then got hit pretty hard

In the head, fracture of the temporal bone through

The ear, so that his eyes popped out (only one

With a damaged optic nerve) and the Vth facial nerve

Broke into mid-saggital paralysis with cerebro-

Skeletal fluid dripping out of a slightly damaged ear,

Which slowed him down, but as soon as he got out –

 

You remember, right?

 

–Of the hospital, when he should have still been resting

He got a job in a factory silk-screening substrates

For digital clock and watch faces. It wasn’t easy to

Get the job because of his out of phase look and his

Eyepatch, but he convinced them to give him a try and

They did so he worked as hard and fast as he could,

Tripling the output of the next-highest producer,

But it was only pride, and he didn’t really feel good about it,

He just felt that he needed to prove that he could

Do it but before that, as a young sophomore,

Sitting with a girl he just met in the back seat

Of a car while her sister drove he just put his arms

Around her and started kissing her as though they’d

Always been lovers, pulled her blouse up,

Unsnapped her bra, and licked and sucked

Her nipples on the way to his house after which

She was his girlfriend but he was afraid

To penetrate her with more than his fingers

Because he was sure she’d get pregnant so they

Wound up breaking up, but that didn’t stop him one day,

When a big-hipped blond girl smiled back

At him as he sat at a table in the strip mall

And he pushed a chair toward her with his foot

And told her to sit down, and she did.

The next day, with his cock inside of her he

Stopped and asked, “shouldn’t we use a condom?”

To which she replied, “don’t worry, it’ll be ok”

And getting it together for her to have an abortion

A month or so later, with much familial angst

And polarization, she lived with him later when

He made 12,000 watch faces a night at a

Pedal-operated machine and then lost focus

In an assembly plant after which he was hired

To work on pianos, disassemble them,

Repair them, refinish them, move them, pose

As the boss’ wife’s son to buy used ones

So they wouldn’t know she was a dealer.

When they said, “it took 5 big guys to move it”

How were you going to move it and she

Pointed to you they didn’t believe it until

You had it tipped up to drop onto the dolly

Rolled it out through the front door, tipped it up

Again, turned it to come down flat on the bed of

The pickup truck, then grab the bottom handle

And lift and heave ho to shove the upright piano

Up onto the truck and tie down…

 

 

[Once again, a temporary end. I'm not really sure where this is going. It wasn't meant to be so linear. But this is how it came straight out. I had a ghost of a drift in mind but I've departed radically from it, may elaborate and return to the drift, may delete it all and start over]

Note 128 (Narrative Sketch): Do You Remember What You Wanted To Know?

[Early sketch of longer sub-subject that will itself be expanded and modified even though it's part of a large thought that will take weeks if not months. Not an apology for quality, but an indication that it will grow in content.]

 

 

It was always about knowing,

wasn’t it? Those first days

with Mammy holding you the

night a man came to the house

and everyone was excited –

you wanted to know what this

was all about (dad just home

from a tour of duty) and from then on

always just wanting to know

to know if repeatedly throwing a “shockproof”

watch against a brick wall would break it. You

surmised that, if it was shockproof

it wouldn’t break. When it broke,

around the time they killed John Kennedy

with rockets taking off, it was an

abysmal disappointment almost as

deep as when, the house after

the frozen river flooded the previous house,

a rented house with a swinging chair

on the front porch (what were you, 3?)

and you all came home from visiting

Mammy and Pop-pop, the first thing you noticed

was that the porch swing loveseat was gone.

Your father explained that it was owned

by the people who owned the house

and they took it because they decided

that they wanted it.

 

Imipolex told me that you told

him that from one moment, riding in the

back seat of a station wagon,

passing a train just

off to the left and a

tractor-trailer to the right

on a 2-lane road, you were

transfixed by thoughts

of where the components of the door

came from, how they were made, how

assembled, mined, smelted.

Refineries and factories were

mysterious omphaloi of the country.

You decided that you wanted to know.

But what was it that you wanted to know?

Do you remember?

 

He also said what it was

morphed decade to decade,

blended with new information

and new needs: to understand,

to directly experience, the lives of

others more and more, from early on

knowing how privileged you were, wanting

to know how those less well placed felt,

to look into the things that

enslave people and also to become free

of those things; to know hopelessness

for the future, to be trapped

in a social stratum, not to know,

not to believe, that there would ever be

an escape — to know it would require

becoming it. Nothing short of that would do.

And nothing short of getting out

of that would do to realize

how to get out of it.

 

Possibly you simply lacked imagination.

But no, really, it was

a form of imagination, one directed

outward, believing that there’s actually

somewhere to go, something to see

some way to be

that could exceed in beauty

and intensity

a direct encounter

with your own mind.

Note 127: In this Blood

In this blood that runs in arteries not yet filled with

latex for dissection

a trillion tiny beings swim

blending with billions of zoophite transcenders

 

In this blood chameleon of red and blue 

universal plasma flows in lighted cells

 

In this blood personality-crowded 

dominance, submission, violence, quiescence 

desire to stand apart, the drive to unite 

perversity and sanity subjectively defined 

froth form shift foam into believed-in solidity

 

In this blood the ones six 

arms three faces

dance fucking pose 

Rudra and Buddha seem

to change in the flickering 

attentions contending 

parties believe they in 

habit a separate world

 

In this blood ones serene in lotus 

union compassion and wisdom in deep 

bliss prism the light which is 

always one essence

 

In this blood each social

miscreant murderer thief

pedophile liar and braggart

and burgher 

and compassionate

one loving one kind one

ethical one saint even

humble

high minded and free

framed in quotidian 

reference point

conjunctions

of habit.

 

What transformation of something

called sound before one hears it

must as Proteus change media

or bodies before it goes conscious

to one who feels the she or he

is some kind of unity the sound

something that actually exists

as she hears it

and this too in this blood

 

When you cut me I bleed

as do you what we assume

merely pipes through organs

and muscles to bring and 

to dispose

which when we run out we die

but more than that in each

drop so many beings so much

consciousness we can’t see

as we are if we did

our heads would exploded as 

Semelê turned ash

when she saw 

the real Zeus

 

 

Maintained by this blood

the intelligences

moving data in packets

sense pressure and temperature

gently caress the inner thigh

in wonder at the thrill of sensation

fraction approaching the limit

of tolerances beyond

its reach.

 

This blood so close to the surface

of shape receptors who say

nothing but you think they want

you to judge and you do out of habit

like salt and dislike slime

but what is it even that you 

experience with my tongue other

than the tongue’s special function

to guess nutrient or poison

by microscopic form but no

property inherent

yet to speak

 

In this blood the blood Kassandra smelled 

when the god made it clear she would die.

 

In this blood a plasma ghost

that bathes gel in sockets

latticed by muscles that feed on this blood

to aim the apparatus at

light such minimal

capture as eyeballs make 

suffices

for beauty to exceed

capacity to see

if the whole spectrum were

suddenly known 

Shantideva’s sword  

that burned 

the king’s 

uncovered

eye

Note 126: Narrative Sketch: The Birth of Rhosonny

 

Rivers of blood converged through millennia, 

each conversion an expansion and contraction

until diverted into two forks, where the one

they had become split and shrank

to a single sperm in a man’s testicles

and an egg in a woman’s ovary. 

 

Too many events brought this about 

to even begin to enumerate, a similar

process had occurred for each of his

parents, rivers into sperm and egg, 

thousands of thoughts per day, 

millions of minute actions, desires, 

dislikes, meetings and partings when

one day, his mother took his father’s

erect penis into her body as they

became submerged in the streams

that had become them and strove

to reunite a stream that had split 

and flowed through each of them 

until ejaculation squirted sperm

hard at the matrix of the egg 

and one microscopic minnow

managed to maneuver through 

the chasm and find a means to penetrate

his female self in the warmth and darkness.

 

I’m sure you know how that goes.

 

But the dead inhabit those rivers

and each of the dead is her own river

and rivers blend together and mix

their identities but one of them was 

Jokul Thorstein, 

the greatest poet 

who has ever lived. Sadly,  

no-one had ever even read

a single poem of his before they

all burned to fine ash and were 

forever lost. As he lay dying of 

a self-consuming mentality

realization of the loss to others

and himself filled him with remorse.

His life had been difficult, because

he was a difficult person — stubborn,

self-centered, brilliant but insecure, 

emotional, indulgent, jumping

from subject to subject like a

schoolboy all the way into old age, 

who was never sure he really belonged

anywhere. 

 

And there were many more

in that river.

 

Women, too. One a scientist who, 

a moment before a stroke demolished her

had visualized and comprehended 

a unified theory, simple, easy to prove, 

encapsulated in a formula no larger than

E equals MC squared. She was

always tightly controlled, methodical, 

her thought process was a surgical

procedure, without emotion, precise

and cold, undaunted by any obstacle, 

fearless, ascetic, yet affable, friendly,

social and somewhat exotic.

 

To say that these two lives were the dominant

streams in this case isn’t meant to imply

that the sperm and egg that made Rhosonny

was a simple mixture of the two. We speak

here of tendencies, but the channel

is irregularly shaped with obstacles

and plunges and many other beings living

in the river so that moment into moment

no tracing back will lead you to previous

incarnations: the complexity

of the solution 

requires trillions 

of instructions 

per 

nano

second 

to 

separat

e it 

into 

con

stituent 

com

ponents.

 

But these streams, these channels, are full of

thousands of species and thousands of individuals

of each species, who are also so composed until

it circles back into the fetus that was Rhosonny

before he came, bewildered, into a world

of panicking doctors because he didn’t cry

when they pulled him out of his mother, 

and they thought he should be older than he was.

 

His parents loved him. His mother’s life 

revolved around him. If his father hadn’t been 

shipped out for the next 18 months, 

what might not have been different?

And yet, his father loved him.

He was a quiet, fragile, though

somewhat large, infant who was often

kept in the hospital. 

 

And so ends the birth of Rhosonny.

 

Note 125: Riparian You

Eel River Near Smithe Redwoods

  

  

A single duck who quacks and paddles in an arc

upstream causes panic in the river,

a turmoil on the surface not from

wind or duck feet.

  

The river forged a path through rocky

mountains dense with forest. A highway

follows, sedan, logging truck, motorcycle,

pickup, panel truck, and sports car

follow with wheels hissing on wet

pavement up the mountainside out

of sight not continous or near

even in the summer.

 

I often address you in my poems

but i don’t even know who you are

nor even for certain whether or not

you are me. 

Either way, how do I know 

it’s really you? Is it?

Am I being

indiscrete?

Are you? And what makes you

think that I is I?

 

Someone asks these questions, but

who is who is not important.

 

Look at things as though they were

photographs or paintings or drawings

framed by your eye to give you

the maximum pleasure you can

derive from the landscape

wherever you are by the way

you frame it and hear it and see it

and add, like that artform you

wanted to create.. remember it?

You were maybe 16 and it came

to mind in a flash – to make

something that would engage all

of the senses, a box maybe,

painted, variously textured, made to be

touched, resonant and redolent with

sounds and incense or perfume

or dog shit (whatever the

particular piece calls for) and

flavors and poems.

See it that way, wherever you are,

this work of art, this avatar of

the six senses in which you’re

so lost in the is 

of whatever you’re with.

Know it

as a work of fictional genius

as often as you can.

 

Even in summer.

 

In 10 minutes gazing into a river

So many things happen that

If placed end to end

They would reach into eternity.

 

Have I, older than multitudes

Who have died,

Begun

Learning only now

How to see?

 

 

Eel Flood Plain Floor Stone

Note 124: Future Toys

  

Does dread hang in grey clouds

wisps, spires, vortices dominate 

tomorrow’s sky or even one

about to be any moment?

  

And how about yesterday? 

Does unexploded ordnance 

litter swamps and forest duff

that cast up such a vivid sky?

  

Has a future detonation

ever torn like one that blew

when you became the jungle, 

made of landmines toys?

  

Note 123: Stone, Critical Plaything

Let’s say “stone”. What is meant? Is “stone” a concrete image? Some critics say it is. Let’s pretend some words have “actual” referents (for the sake of fantasy and fun). Even so, does “stone”? What color? What dimensions? How hard?

  

Basalt? Can stone be basalt even though basalt is a type of rock? When would it become stone? Not “a” stone, as when a small chunk tumbles for a few decades in waves on a beach, say Glass Beach the one the Pacific reclaimed from the old Ft. Bragg municipal dump, a stone you can hold between finger and thumb and, sidearm, skip across the Eel – a stone, distinct from a rock, but still not stone … or is this stone also stone?

  

If the chunk of basalt’s as big as a black whale, say a sperm whale, jutting out of ice plant (maybe even mesembs, definitely one sporting purple highlights) roots dangling from rain and chipmunk erosion of stony topsoil from its macrocephalus, would basalt then be stone? You’d probably call it a rock, but not one small enough to throw at some one in concert with others to kill out of anger (probably for having sex the wrong way or something)… or for the maenids as they whoop and holler to rain down on Opheus before they dismember.

  

If basalt were a great wall near Brisbane or another near Taiwan, would it be a stone wall? Basalt columns in Yellowstone to be carved by some future Praxiteles into caryatids of stone? Already stone?

  

In Thousand Oaks dad lived in a rock house, but not basalt nor hewn from a single rock had walls made of piles of stone, soft in memory, diatomaceous, certainly not marble from the quarry at Carrara.

  

No, the Great Basalt Wall is a rock wall, neither stone wall nor stonewall.

  

Basalt tiles are stone tiles, but are they stone any more than the hot basalt stones your aching back took warmth from at a spa? What if, very carefully, meticulously (don’t let it crack!), you chiseled a slice a couple inches thick in a big rectangle, polished it to a mirror, sailed ship with it, and laid it out flat for the Chrysler Building lobby floor… ah, yes! That would be stone! A stone floor even stone cold suits would look at now and then.

  

But would a sculptor, saying, “I work in stone” mean basalt?

  

What sort of stone is stone? “Stone” is obviously not a concrete image… but is stone an image of concrete? A smooth, durable, workable building material? Are marble and granite always stone or are they sometimes rock?

  

Is stone ever sandstone?

  

If a rock, kicked by a mule pulling a wagonload of parian marble (a single slab and many mules) from a quarry for the Tempio, rolls down a canyon wall, is it stone?

  

Is stone what hearts are made of? You’ll never break this heart of stone.
Have you seen a virgin block of alabaster lie waiting for a sculptor’s liberating touch? Is this what you think of when you hear “stone”?

  

A three-figure relief with Eurydice at the Louvre? The Cerberus Metope from the Temple of Zeus? A collossal Hellenistic head of Medusa from the east gate of Beroia?

  

A color? A texture for your website? A surname?

  

Or just about 14 pounds?

  

Note 122: Death and so forth

This time it is without indirection, without hidden mediation, without secret argumentation, that writing is proposed, presented, and asserted as a pharmakon.

~Jacques Derrida, “Plato’s Pharmacy” in Dissemination, translated by Barbara Johnson

1.

That you’ve been so close to death

so many times

have always been so close

(so many died) 

have always been aware of your own death

and many times have wanted it 

have always known the end was just

around a corner, or in the sky, or in a fault

line in some artery or organ, or necrosis

or a bullet or crash or even your own hand

with some kind of drug seeking lethe;

that you have always felt death close

despite interminable situations and

dreary forcasts of deprivation when you

gave up this or that, 

projected its absence

into futurity you never expected 

to have, surprised by every date 

to still be here, to still seem to have

a future and a past, no more than before, 

no better, no worse, merely older

 

doesn’t contradict the fact that each 

day you feel death shine a brighter

light upon your shabby legacy 

amped up, clinical, uncompromising

as the memory of a broken tooth

a moment after, the fact that you

can’t do all you haven’t done

or undo a single thing you have.

 

Have you always felt important

to someone, even if only to yourself? 

How does it feel 

to know that very quickly, despite

a handful of mourners, you’ll 

pass from “men’s” memory so that

even you will no longer

remember you?

 

Can you hide from this?

Can you change it?

Should you? even if you could?

 

 

2.

 

There were angles and shadows 

and dreams

caught at the tip of a tongue

a vision just out of reach

(”what was that vision?

hold on!” holding up a finger 

“Let me try to 

remember it… 

glass eyes, long gaze,

Shhh…”)

wandering within worlds of writing

and type taking place more immediately

than speech at times, reflections disipated 

in meters per second of flow 

and the actual cubic meters per hour

of the air itself upon it.

 

Music has risen, 

procreated 

where beaches once 

touched water from the side,

not lying under,

and laughter and simple

pleasure at being together 

were disbursed to 

and deposited back by 

woods and campfires and rivers and rocks

a touching much warmer than this 

Christmas afternoon at a chorus 

of water on stone by the redwood, 

not plane, tree. 

 

Whom did I hear, speaking, 

at this river? It’s not the Illius, 

it’s the Eel. It seems that Socrates

has left us and even Plato, who wrote

what he “said,” but here, shaking a bit,

remembering the names of Socrates

and Plato and Aristotle and even 

Ezra Pound and Ronald Johnson 

don’t remember them but impressions 

of them from written words

in the brisk as I write, a bird I 

can’t identify speaks to the assembled

crowd of river voices, trees, stones and me.

 

If you had been there with me,

you would have heard it, unless

you’d gone deaf, in which case

you’d have felt it.

 

Note 121: (Narrative Sketch) Thich Quang Duc: +10° 46′ 30.57″, +106° 41′ 12.71″

 

How old were you that year, Rhosonny? Nine?

 

He can never remember what year he was at what age

or what grade or for certain in which state he lived.

But he remembers 1963 better than almost any other year,

though he hasn’t always remembered that it was 1963

when he thought of this or that event.

Was he in Alabama that year? Or was it the next?

In any case, he was a news junkie already:

Cronkite, U.S. News and World Report,

newspapers wherever he found one,

 

[George Wallace in the door saying

"segregation now, segregation tomorrow, and segregation forever!"

the next day Medger Evers murdered;

Gideon vs. Wainwright, Abington School District v. Schempp

but if you go to Cuba, you're not American anymore;

Dr. King's letter from Birmingham Jail and his Dream;

the Beatles and diet cola, Bob Dylan Freewheeling

through the Feminine Mystique and suffrage for women

is established in Iran, and even in Detroit

Malcolm X gives a speech while in Viet

Nam Buddhist monks are beaten and shot by troops under order

from the Roman Catholic U.S. puppet Diem, himself

taken out by the CIA (but not the new

Domestic Operations Division); Mecury 9

was the last of its type, and the first geostationary

satellite to verify a nuclear test ban treaty went up

though William Carlos Williams, Robert Frost, and Sylvia Plath,

Theodore Roethke, W.E.B. Du Bois, and Louis MacNeice,

Ellmore James and Edith Hamilton,

Georges Braque, Jean Cocteau, and Edith Piaf,

Dinah Washington, Tristan Tzara, Paul Hindemuth,

Sonny Clark and Fritz Reiner,

László Lajtha, C.S. Lewis, and Aldous Huxley

and so many others, too many to mention,

left us without the push of an assassin

unlike John F. Kennedy and one of the six

who tried to take out de Gaulle,

Lee Harvey Oswald, and Lee Quang Tung

and so many others both known and unknown,

especially in Viet Nam and the deep south

like Eugene Connor and his dogs and hoses

and maybe Jakarta over Malaysia, but somehow

not the same though in Africa things were very bad

so The Organisation of African Unity and finally

though Dorothy Nyembe goes to jail

the U.N. at least calls for a voluntary

arms embargo of South Africa, not much,

but finally...]

 

Yet the one thing in this maelstrom to which

he was privy as a child, that also includes

his neighbors, sharecroppers living in shacks

who went to a different school

and weren’t allowed to play with him

though Bertha babysat often, whom the kids loved

but from whom they were separated by race

and the pictures of men hanging from bridges

and the sign on the new segment of Interstate

very slowly manifesting on the other side of the barn,

“Gov. George Wallace is Building this Highway for You!”

with his picture smiling down on their poverty

so deep they didn’t know how to dial a phone,

and his family’s relative wealth

and crosses burning and the letters KKK

very present at every turn, at every sign

that said “colored” or “white” so that

even taking out the garbage at night,

knowing that he was white,

feared the KKK because they were evil

and the old man across the street

who’s parents had both been slaves

was the person who treated him with more

kindness than anyone else he ever met

in Alabama.

 

And yet, there was one thing,

one act, which he only witnessed in pictures,

that changed his feelings about power,

its relationship to terrorism and militarism,

forever. At most every other turn,

Dr. King the most notable exception,

power was defined as the ability to maim,

destroy, and kill. There were frequent parades,

a parade always celebrating military might

in some way. Heroes were defined as soldiers.

Bravery, heroism, and power were fused

together into a single dominant concept.

But then, one night on television,

a young man sat down on the street

while another poured gasoline over him.

Once the other was clear

lit a match and went up in flames.

And didn’t wince. Or writhe.

And didn’t change expression

while he liquefied before Rhosonny’s eyes.

This he recognized as power, though he’d

seen many rockets launch. This he saw

as bravery, though he saw that there was bravery

all around him. This man was his hero.

Of course, everybody else said the man was crazy

or stupid. Some went so far as to attempt

to establish this act as proof that pacificism

was merely a method of getting trampled on

by those more powerful than you.

But Rhossony was never able to accept

the power of weapons as being greater

or more meaningful, even in the hands

of an army, than the absolute power

displayed by this single monk

one day in the summer

in Saigon.

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